The Lone Ranger lives by a code of conduct, laid down by his creators, George W. Trendle and Fran Striker in 1933. This conduct consists of two major parts: the Lone Ranger Creed and a set of guidlines intended to be used by writers when creating Lone Ranger stories, in order to keep the character consistent through different media.
The Creed Edit
That to have a friend, a man must be one.
That all men are created equal and that everyone has within himself the power to make this a better world.
That God put the firewood there but that every man must gather and light it himself.
In being prepared physically, mentally, and morally to fight when necessary for that which is right.
That a man should make the most of what equipment he has.
That 'This government, of the people, by the people and for the people' shall live always.
That men should live by the rule of what is best for the greatest number.
That sooner or later ... somewhere ... somehow ... we must settle with the world and make payment for what we have taken.
That all things change but truth, and that truth alone, lives on forever.
In my Creator, my country, my fellow man."
The Guidelines Edit
The Lone Ranger is never shown without his mask or some sort of disguise.
With emphasis on logic, The Lone Ranger is never captured or held for any length of time by lawmen, avoiding his being unmasked.
At all times, The Lone Ranger uses perfect grammar and precise speech completely devoid of slang and colloquial phrases.
Whenever he has to use guns, The Lone Ranger never shoots to kill, but rather only to disarm his opponent as painlessly as possible.
Logically, too, The Lone Ranger never wins against hopeless odds; i.e., he is never seen escaping from a barrage of bullets merely by riding into the horizon.
Even though The Lone Ranger offers his aid to individuals or small groups, the ultimate objective of his story is to imply that their benefit is only a by-product of a greater achievement -- the development of the West or our Country. His adversaries are usually groups whose power is such that large areas are at stake.
All adversaries are American to avoid criticism from minority groups.
Names of unsympathetic characters are carefully chosen, avoiding the use of two names as much as possible to avoid even further vicarious association. More often than not, a single nickname is selected.
Criminals are never shown in unenviable positions of wealth or power, and they never appear as either successful or glamourous.
The Lone Ranger does not drink or smoke, and saloon scenes are usually interpreted as cafes with waiters and food instead of bartenders and liquor.